He was accompanying her piano with his violin. He made blunders, and her playing was out of heart. They stopped as by consent, and a moment's silence followed. All at once she broke out with something Robert had never heard before. He soon found that it was a fantasy upon Ericson's poem. Ever through a troubled harmony ran a silver thread of melody from far away. It was the caverns drinking from the tempest overhead, the grasses growing under the snow, the stars making music with the dark, the streams filling the night with the sounds the day had quenched, the whispering call of the dreams left behind in 'the fields of sleep,'--in a word, the central life pulsing in aeonian peace through the outer ephemeral storms. At length her voice took up the theme. The silvery thread became song, and through all the opposing, supporting harmonies she led it to the solution of a close in which the only sorrow was in the music itself, for its very life is an 'endless ending.' She found Robert kneeling by her side. As she turned from the instrument his head drooped over her knee. She laid her hand on his clustering curls, bethought herself, and left the room. Robert wandered out as in a dream. At midnight he found himself on a solitary hill-top, seated in the heather, with a few tiny fir-trees about him, and the sounds of a wind, ethereal as the stars overhead, flowing through their branches: he heard the sound of it, but it did not touch him. Where was God? In him and his question.

By: George Macdonald

From: Robert Falconer